No War
40" x 40" in
(100 x 100 cm)
¥378,628
Regular price ¥189,314Acrylic on canvas (unique)
- Year: 2022
- Classification: Unique
- Support: Canvas
- Medium: Acrylic
- Shipped from USA
- Year: 2022
- Classification: Unique
- Support: Canvas
- Medium: Acrylic
- Shipped from USA
About Esboner
Esboner draws since childhood. In the mid 1990s, he discovered the world of graffiti. At first, he started as a vandal on trains, high ways, railway tracks, or even abandoned fields. Over the years, he decided to go back to illustrative drawings and create his own drawings. So, he put aside the graffiti and the ‹ writing. › Little did he know that he will come back to the street art later on.
« Le street art le correspond parfaitement car on est dans l'idée de faire passer une émotion, un propos et ce peut importe les techniques utilisées. »
« Street art fits him perfectly because it is the idea of conveying an emotion, a subject and whatever the techniques are used.»
Then, he did wild collages in Metz streets. His illustrations convey humans feeling, sometimes even humans contradictions, in a non-violent or aggressive way. From a poetic perspective, the aim is to let people the liberty to understand what they are looking at.
The street art and the street are the essential component to his art. Esboner does exhibitions in various galleries, participates in various cultural projects, creates new artworks for his diverse clients (individuals, communities).
Esboner tries to bring out his Japanese and American influences in the drawing: the culture of detail and human expression.
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No War by Esboner
40" x 40" in
(100 x 100 cm)
¥378,628
Regular price ¥189,314Acrylic on canvas (unique)
- Year: 2022
- Classification: Unique
- Support: Canvas
- Medium: Acrylic
- Shipped from USA
- Year: 2022
- Classification: Unique
- Support: Canvas
- Medium: Acrylic
- Shipped from USA
About Esboner
Esboner draws since childhood. In the mid 1990s, he discovered the world of graffiti. At first, he started as a vandal on trains, high ways, railway tracks, or even abandoned fields. Over the years, he decided to go back to illustrative drawings and create his own drawings. So, he put aside the graffiti and the ‹ writing. › Little did he know that he will come back to the street art later on.
« Le street art le correspond parfaitement car on est dans l'idée de faire passer une émotion, un propos et ce peut importe les techniques utilisées. »
« Street art fits him perfectly because it is the idea of conveying an emotion, a subject and whatever the techniques are used.»
Then, he did wild collages in Metz streets. His illustrations convey humans feeling, sometimes even humans contradictions, in a non-violent or aggressive way. From a poetic perspective, the aim is to let people the liberty to understand what they are looking at.
The street art and the street are the essential component to his art. Esboner does exhibitions in various galleries, participates in various cultural projects, creates new artworks for his diverse clients (individuals, communities).
Esboner tries to bring out his Japanese and American influences in the drawing: the culture of detail and human expression.
